Tuesday, January 6, 2009

The history continues to unfold at Yukusem

The history continues to unfold at Yukusem   

Beau Dick on-site at the canoe  section of the Yukusem Culture Camp. Everything runs under Guardianship of the  Yukusem Heritage Society    

Beau Dick, famous Canadian artist of the Pacific coast tradition, lives a hair-  breadth away from changing the universe out at Yukusem Culture Camp, now  situated year-round on an island 15 km south-west of Alert Bay, B.C.. He is one  thought away from doing it too, "There is a strong desire to build  something but an awareness that others have standards that may be too high to be  met by the culture camp experience," Beau explained.    

The culture camp on Yukusem is a growing collective of builders and artisans  but the living is rustic, practically remote, and says Beau, "The question  is, are you a camper? Camping is by definition a completely interdependent  experience. The burden is shared and activities are shared. The time-line in the  experience is all shared."    

In the Yukusem Culture Camp the time-line becomes lost and this is shared.  Another shared thing in the camp is knowledge of the past because Beau is a man  with unusually strong connections to the coastal past. He was born in 1955 and  raised in Kingcome Inlet, B.C. (an inlet flowing deep into the coast) where he  stayed until 1965. In the first half of the previous century it was the site of  a remote fish cannery and a lot of jurisdictionally-oriented individuals.    

Beau lived his first ten years with his extended family including Elders,  uncles and aunts, and a few other people who stuck to the Big House culture of  their ancestry. They lived in close personal contact with the pristine  surroundings in Kingcome Inlet which remained a place of stories and hard work  and the conduct of various crafts. These times were spent fully immersed in  Kwakwalla, speaking the language of the nation.    

Beau sat quietly amongst the carvers, his father, grandfather, and uncles, and  listened to histories, legends, laws, jurisdiction in Kwakwala, and he learned  the way things came to pass and some of what is to come. When Beau was 10 years  old the family sent him to Vancouver to live with an aunt and uncle so he could  get some serious book learning.    

He was aghast at what he saw and when he saw it, for the full impact of the  1960s generation was in process and he calls it a culture shock. Upon his return  to the Pacific Northwest the family was separated from Kingcome Inlet and Beau  settled into Alert Bay, B.C.. The importance of his early life lessons began to  percolate. He came to be a man who lives to learn, and who passes along the  lessons.    

"The Bella Coolas were primarily Salishan people who over a period of time  had occupied the area" up Burke Channel, halfway along the B.C. Pacific  coast, "and after this came a period of encroachment upon the Kwaguilth  territory," Beau explained, for the Bella Coolas had long been envious of  Kingcome Inlet resources, he said.    

It was therefore predictable to the Homatsa society that a large party of Bella  Coolans would arrive at the entrance to the territory at Gilford Island. The  arrival of the lead Bella Coolan party was made in peace and bearing gifts, a  disarming presentation that and drew the Homatsa society into a lull, while the  second party descended and destroyed the Gilford Island settlement and left many  heads on sticks and took the Kwaguilth women away to Bella Coola.    

Beau continued, "These women retained their names and their titles, but  only gradually did the truth about their origins begin to emerge." He  explained that status in a coastal nation is paramount and the hierarchy that  composes the society is immutable. "Eventually the elevated status of those  women and their offspring emerged and altered the face of a Salishan  principality."    

Beau is a hereditary chief in the Kwakawak Awak society called Homatsa, known  as the cannibal society. It is also known as the warrior society within the  coastal clans that kept themselves hidden for many years of Potlatch  persecutions. The territory they ruled was vast and rich and the Kwakawak Awak  populations were found from northern Vancouver Island to the mainland from north  of Campbell River all the way to Bella Coola.    

They held the jurisdiction in the lands and waters of their country until an  entirely other balance of power moved itself into place upon an alien fulcrum.  Up until that paradigm shift the Mamalillikullu and the Haida were accustomed to  crossing the Kwaguilth waters every year during the summer to conduct a trade  mission with the Cowichan and Salishan nations.    

When the Hudson's Bay Company arrived and a fort was established at Fort  Rupert the HBC immediately set about usurping Kwaguilth jurisdiction. This made  peace untenable, says Beau, once the Haida traders arrived at Fort Rupert and  bypassed the traditional protocol of stopping at the clanhouses of the Kwaguilth  chiefs. Instead they opted to gather around the HBC fort and ignore the  customary exchanges with the Kwaguilth.    

In response to this diplomatic snub the Kwaguilth messengers spread the word  and soon the Homatsa society had arranged their own reception. The Haida were  intercepted as they continued their southward journey through the Inside  Passage. The interception occurred at modern day Kelsey Bay deep in the present  day Johnstone Strait. It was here they were surrounded and slaughtered. The  heads of the Haida chiefs were taken back to Fort Rupert to the women who stood  on the beach holding out their aprons.    

As the Kwaguilth rowed past they tossed the heads ashore, says Beau, onto the  aprons of the women. The head of one Haida chief tore through the apron of his  wife and rolled along the beach, and the story is told, he was still trying to  get away from the Kwaguilth. The Homatsa society and other Kwaguilth societies each has a place in the Yukusem Culture Camp. The stories of the past will be  heard by the Aboriginal Guardians of the Yukusem Heritage Society. For more  information contact Andrea Sanborn, Umista Cultural Society www.umista.org


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